The Fencing Master

Originally published by Carl Fischer in 1932, this rediscovered treasure of the concert march world has been rescored for the modern concert band. Written in traditional march form, all sections are featured. A pleasant opening strain moves into an interesting trio with a legato trumpet melody set against high woodwind arpeggios before a more strident presentation of the same theme. With multiple dynamic contrasts and interesting countermelodies for all sections, this march is a great opportunity to teach traditional march form while also presenting a gem of the march repertoire that is unknown to many audiences.

 

Originally published by Carl Fischer in 1932, this rediscovered treasure of the concert march world has been rescored for the modern concert band. Written in traditional march form, all sections are featured. A pleasant opening strain moves into an interesting trio with a legato trumpet melody set against high woodwind arpeggios before a more strident presentation of the same theme. With multiple dynamic contrasts and interesting countermelodies for all sections, this march is a great opportunity to teach traditional march form while also presenting a gem of the march repertoire that is unknown to many audiences.

Originally published by Carl Fischer in 1932, this rediscovered treasure of the concert march world has been rescored for the modern concert band. Written in traditional march form, all sections are featured. A pleasant opening strain moves into an interesting trio with a legato trumpet melody set against high woodwind arpeggios before a more strident presentation of the same theme. With multiple dynamic contrasts and interesting countermelodies for all sections, this march is a great opportunity to teach traditional march form while also presenting a gem of the march repertoire that is unknown to many audiences.

Originally published by Carl Fischer in 1932, this rediscovered treasure of the concert march world has been rescored for the modern concert band. Written in traditional march form, all sections are featured. A pleasant opening strain moves into an interesting trio with a legato trumpet melody set against high woodwind arpeggios before a more strident presentation of the same theme. With multiple dynamic contrasts and interesting countermelodies for all sections, this march is a great opportunity to teach traditional march form while also presenting a gem of the march repertoire that is unknown to many audiences.

Originally published by Carl Fischer in 1932, this rediscovered treasure of the concert march world has been rescored for the modern concert band. Written in traditional march form, all sections are featured. A pleasant opening strain moves into an interesting trio with a legato trumpet melody set against high woodwind arpeggios before a more strident presentation of the same theme. With multiple dynamic contrasts and interesting countermelodies for all sections, this march is a great opportunity to teach traditional march form while also presenting a gem of the march repertoire that is unknown to many audiences.