Gaze

The composer describes GAZE as “something of a song without words,” in which “the lyrical, somewhat poignant, melody is set to the reverberant, slightly hazy background of a piano motif.” Composed for the duo of John Sampen and Marilyn Shrude, GAZE is a reimagining of an excerpt from the composer’s Under the Sun’s Gaze – Concerto da Camera III for 9 players. The saxophone part is lyrical and within the instrument’s standard range, making this music in the reach of dedicated students as well as professionals.

The composer describes GAZE as “something of a song without words,” in which “the lyrical, somewhat poignant, melody is set to the reverberant, slightly hazy background of a piano motif.” Composed for the duo of John Sampen and Marilyn Shrude, GAZE is a reimagining of an excerpt from the composer’s Under the Sun’s Gaze – Concerto da Camera III for 9 players. The saxophone part is lyrical and within the instrument’s standard range, making this music in the reach of dedicated students as well as professionals.

The composer describes GAZE as “something of a song without words,” in which “the lyrical, somewhat poignant, melody is set to the reverberant, slightly hazy background of a piano motif.” Composed for the duo of John Sampen and Marilyn Shrude, GAZE is a reimagining of an excerpt from the composer’s Under the Sun’s Gaze – Concerto da Camera III for 9 players. The saxophone part is lyrical and within the instrument’s standard range, making this music in the reach of dedicated students as well as professionals.