“Joseph Turrin is a greatly valued contributor to contemporary American musical life thanks to his wide-ranging activities as a composer, orchestrator, conductor, pianist, and teacher.
Since completing his formal education at the Eastman School of Music and the Manhattan School of Music, he has pursued a career that has always been multifaceted. As a composer, he has produced works in many genres. Among the many commissioned works in his catalogue, highlights include Hemispheres commissioned for Kurt Masur’s final concert with the New York Philharmonic in May 2002 and taken on tour by Masur and the orchestra to Europe and Asia in June 2002, his concertos for flute (commisioned for Carol Wincence and the New Jersey Symphony) and for trumpet (commissioned by the New York Philharmonic for Philip Smith, its principal trumpet, and conducted at its 1989 premiere by Erich Leinsdorf), the chamber works Riffs and Fanfares (The Chamber Music Society of Lincoln Center), Arcade (New Jersey Chamber Music Society), Quadrille (West Point Military Academy), Chronicles (twelve American Universities for Philip Smith), Modinha (Orpheus Chamber Orchestra) and numerous other commissions. The New York Philharmonic, both as an ensemble and through several of its individual members, has cultivated a longstanding relationship with Turrin. In addition to the new Hemispheres, the Trumpet Concerto (which Kurt Masur has also led with the Gewandhaus Orchestra in Leipzig), the Philharmonic-commissioned Two Gershwin Portraits (which Mr. Masur and the Orchestra premiered at the “New York 100 Celebration Concert” in Central Park in 1998, with trumpet soloists Wynton Marsalis and Philip Smith), Turrin has composed several pieces for the OrchestraÂ¹s brass section, including Jazzalogue No. 1 (featured on the Orchestra’s 1997 Latin American tour) and West Side Story Suite (commissioned and premiered at Carnegie Hall in 2000 by the Philharmonic’s brass section). In addition, he has composed numerous solo and chamber works to spotlight the talents of several Philharmonic musicians. Most recently, his Trombone Concerto Illuminations was recorded by Joseph Alessi for Summit Records. His Fandango was performed on “Live From Lincoln Center” in July, 2002 by Kurt Masur and the NY Philharmonic and hosted by Beverly Sills. This is what the NY Times said about his work Hemispheres: “”Mr. Turrin’s music is nervous, loud, swift and aggressive to the point of violence. It is also beautifully made, negotiating its constant changes of speed and pulse with grace. Mr. Turrin’s music is young: no past, only future.””
Active as a composer, and conductor for film and theatre, Turrin lists among his many credits the scores for Alan Alda’s film A New Life, Little Darlings, Weeds (with Nick Nolte), Tough Guys Don’t Dance (directed by Norman Mailer), Verna-USO Girl (with Sissy Spacek and William Hurt and nominated for 3 Emmy Awards), Nightmare on Elm Street 3, Kingdom of Shadows (narrated by Rod Steiger), Broken Blossoms (1919 silent film classic directed by D.W. Griffith, starring Lillian Gish), and for the restoration of the silent film classic Sadie Thompson. Other silent film classics that he has scored include, Diary of a Lost Girl, Intolerance and The Hunchback of Notre Dame. His work in musical theater includes performances on Broadway with Michael Feinstein as well as the score for Frankie, with a libretto by Broadway legend George Abbott. Other theater works by Turrin include the opera Feathertop, Love Games and The Barricade. He also did the orchestrations for the 1992 Olympic Fanfare for the summer Olympic ceremonies in Barcelona, Spain.
Turrin has appeared as a conductor with the Pittsburgh, Baltimore, New Orleans, Detroit, and New Jersey Symphonies; he has performed as a pianist on many recordings and as orchestral pianist for the New Jersey Symphony. He has received awards and grants from the United Nations (for contributions in the arts), ASCAP, American Music Center, and five Fellowships from the New Jersey State Council on the Arts, in addition to the Ann M. Alburger Award for Chamber Music.
His works have been performed by the New York Philharmonic, St. Martin-in-the-Fields Academy Orchestra. Lincoln Center Chamber Music Society, Baltimore Symphony, Gewandhausorchester (Leipzig, Germany), Orpheus Chamber Orchestra, New Orleans Symphony, New Mexico Symphony, New Jersey Symphony, English Chamber Orchestra, Little Orchestra Society of New York, Wynton Marsalis, Philip Smith, Joseph Alessi, Lew Soloff, Carol Wincenc, Hugh Wolff, Kurt Masur, Erich Leinsdorf, Ramon Vargas, Evelyn Glennie. Susannah McCorkle, US Army Band, US Army Brass Quintet, Atlantic Brass Quintet, New Jersey Chamber Music Society, West Point Military Academy Band, US Marine Band, University of North Texas Wind Symphony and many others.
His publishers include: Theodore Presser, Curnow Music, BIM Editions, Kjos Publications, Rosehill Music, Paramount Pictures, Warner Brothers Music, C. Alan Publications and others. His works are recorded on the Teldec, RCA, EMI, Cala, Summit, Albany, Klavier, and Curnow labels.
Kurt Masur said about Mr. Turrin’s music: “I have always liked composers who are reflecting upon the musical sound of their country. Joseph Turrin does it in a very convincing way. I have taken great delight from getting to know his scores, which I have conducted in New York, in Europe, and in Asia.”
For more information about Joseph Turrin, please visit his website at www.josephturrin.com”
Cover Title (Subtitle) Duration Instrumentation Chamber Ensemble Arcade 10:00 Chamber Ensemble Riffs and FanfaresFor Clarinet, Horn, Violin, Viola, Cello, and Piano 5:00 Chamber Ensemble The Steadfast Tin SoldierVersion for Chamber Ensemble 15:00 Chamber Ensemble Walden TrioFor Flute, Cello, and Piano 17:00 Flute, Cello, Piano Orchestra Bagatelle for Orchestra 5:30 2 2 2 2 – 2 0 0 0; Perc. Str. Civil War Suite 20:00 2 2(E.H.) 2 2 – 4 3 3 1; Timp. Perc. Pno. Hp. Str. The Steadfast Tin Soldierfor Narrator and Orchestra, based on the story by Hans Christian Andersen 15:00 Narr.; 1 1 1 1 – 1 1 0 0; Perc. Pno. Str. Orchestra with Soloist(s) Concerto for Flute and Orchestra 25:00 Solo Fl.; 2 2 2 2 – 2 2 2 1; 3Perc. Hp. Str. Concerto for Trumpet and Orchestra 15:00 Solo Tpt.; 3(Picc.) 2 3(B.Cl.) 3(Cbsn.) – 4 3 3 1; Timp. 2Perc. Pno. Cel. Hp. Str.
Arcade is divided into five movements: Prelude, Bouree, Arioso, Waltz and Quadrille and featured flute, oboe, cello and viola. It was interesting music which gave all the performers a run for their money.
–Post and Courier, Charleston, SC
CONCERTO FOR FLUTE AND ORCHESTRA
This is a big, sophisticated concerto that evolves way beyond its classical and romantic models to show off the soloist’s technique while exploring adventurous interactions between soloist and ensemble
The most successful of the world premieres was Joseph Turrin’s ‘Concerto for Flute and Orchestra’. Of the three, it was only he who most clearly set a musical goal and reached it. The goal: Compose a virtuoso flute concerto for Carol Wincenc. The result:
–The Star-Ledger (Newark, NJ)
The ‘Concerto for Flute and Orchestra’ is a very fine work of its kind (fully as enjoyable as his ‘Trumpet Concerto’ from two seasons ago)
–New York Daily News
CONCERTO FOR TRUMPET AND ORCHESTRA
There just may be hope for modern music after all. There’s a lot of bold color in this concerto. It’s a fine piece, though any trumpeter tackling it had better have inexhaustible breath.
–New York Daily News
A sizzling soloist’s vehicle. Mr. Turrin has given his soloist – Philip Smith, the orchestra’s principal trumpeter – a great deal to do, usually at speeds and in detail that must require a lip of steel.
–New York Times
Turrin has composed a refreshing work that creates in the listener the desire to hear it a second time. The concerto is a worthwhile addition to the limited trumpet/orchestra repertoire
RIFFS AND FANFARES
Joseph Turrin’s ‘Riffs and Fanfares’ a CMSLC commission, was given its world premiere. Turrin, who scored well last year with his Trumpet Concerto premiered by the NY Philharmonic, has again written an arresting work of spiky, individual energy
–New York Daily News
Joseph Turrin’s well-crafted ‘Riffs and Fanfares’ for clarinet, horn, string trio, and piano, commissioned by the society and receiving its premiere…
–New York Times
There is no guessing what new music will make a place for itself in the repertory, but I think Turrin’s ‘Walden Trio’ belongs in it somewhere.
Mr. Turrin has written a vital work that is rhythmically and dynamically alive. There is no lack of ideas, which tumble one after the other yet seem capable of growth. The idiom is modern the piece thoroughly engaging and making deft use of the instrument
–New York Times
1996: Meet the Composer
1994: New Jersey State Council on the Arts
1993: Meet the Composer
1991: New Jersey State Council on the Arts
1989: New Jersey State Senate (Senate resolution for contribution in the arts)
1988: New Jersey State Council on the Arts
1987: American Music Center Awards
1986: United Nations Award for the Arts
1981-1999: ASCAP Awards
1977: Anne M. Alberger Composition Award (Walden Trio)
1976: American Music Center Awards
1976: New Jersey State Council on the Arts
1965: FLAME Award in Composition (Piano Sonata No. 1)
Manhattan School of Music / Composition Prize (March & Choral)
Sol Human Award (Eastman School of Music)
The Steadfast Tin Soldier
for Narrator and Orchestra