Composer Paul Salerni’s music “pulses with life, witty musical ideas and instrumental color” (The Philadelphia Inquirer), and has been described by the New York Times as “impressive” and “playful.”
Salerni is the NEH Distinguished Chair in the Humanities and Professor of Music at Lehigh University, where he teaches composition, theory, and directs the Lehigh University Very Modern Ensemble (LUVME). He is also founder and Artistic Director of the Monocacy Chamber Orchestra, a professional
Photo: Laura Johnson ensemble in the Lehigh Valley.
Salerni received his Ph.D. in composition from Harvard University, where he studied with Earl Kim. He has held composition fellowships from the Sheldon Foundation, the Charles Ives Festival, and the Pennsylvania Council for the Arts, and has been the recipient of grants from Meet the Composer and the NEA. He has also been guest composer at the Idyllwild School for Music and the Arts.
Salerni’s numerous commissioned orchestral and chamber music works have been performed throughout the US, Canada, Europe and China. Recent commissions include Cape Cod Symphony, San Diego Chamber Orchestra, New Haven Symphony, and the Lehigh Valley Chamber Orchestra. His chamber music and songs are also widely performed. Recent highlights included performances by the Da Capo Chamber Players of two song cycles, Speaking of Love and Bad Pets, at New York City’s Merkin Hall.
Salerni’s one-act opera Tony Caruso’s Final Broadcast, with a libretto by Dana Gioia, won the
National Opera Association’s Chamber Opera competition. It premiered in Los Angeles in January 2008 in a co-production by the Los Angeles Opera, OperaWorks, CSU-Northridge, and the Southern California Opera Guild; a definitive recording was released on Naxos in October. His second one-act, The Life and Love of Joe Coogan, is adapted from a Dick Van Dyke TV Show episode. The original screenplay was written by Carl Reiner and adapted by librettist Kate Light. Joe Coogan had its premiere in September 2010.
As the leading expert on the music of his mentor Earl Kim, Salerni has a long history of collaboration
as guest pianist and lecturer with the internationally acclaimed string ensemble, Sejong. He has performed Kim’s music with the ensemble in Korea, at the Kennedy Center, the 92nd St. Y, and the Aspen Music Festival. Sejong recently commissioned Salerni’s arrangement of Piazzolla’s Le Grand Tango and premiered it in Carnegie’s Zankel Hall. That arrangement is published in Italy by Berben. In the summer of 2008, Salerni performed as pianist and conductor for two of Kim’s works at the Great Mountains International Music Festival in Korea.
Salerni’s passion for involving young people in music is evident in his choice of subject, audience, and performers for many of his compositions. The Big Sword and the Little Broom, a suite for solo violin and orchestra, is based on an old Neapolitan fable. Its chamber ensemble reduction, with narration by poet Dana Gioia, has been performed frequently in the United States and Canada in educational and family concerts; its full orchestra version was performed recently at the Interlochen Summer Arts Camp, where Salerni serves on the orchestral conducting faculty. Salerni’s most recent commission for young people, Hugging the Shore (string orchestra and harp), will be published by Alfred this coming year.
A dedicated educator, Salerni is recipient of the Stabler Award, Lehigh University’s most valued acknowledgement of excellence in teaching. His service to the larger community has also included participation on Fulbright Fellowship and NEA peer review panels and seven years’ service on the Board of Directors of the Suzuki Association of the Americas, including two years as Chair of the Board.
Salerni is married to opera and stage director Laura Johnson, and also often writes for and performs with their two sons, violinist Domenic and percussionist Miles.
Cover Title (Subtitle) Duration Instrumentation Orchestra w/ Soloist(s) Le Grand TangoArranged for Solo Cello and String Orchestra(arr.) Solo Cello, Orchestra Opera The Life and Love of Joe CooganOpera in one act, adapted from the Dick Van Dyke Show TV episode “The Life and Love of Joe Coogan,” by Carl Reiner 1:04:00 A.Sax. Tpt. Tbn. 1Perc.(incl. trap set) Pno. 2Vln. Vla. Vcl. Cb. Tony Caruso’s Final BroadcastOpera in Ten Short Scenes 52:00 Fl. Ob.(dbl. Bari.Sax.)* Cl. A.Sax. T.Sax.(dbl.B.Cl.) – 2Tpt. Tbn. B.Tbn.; Drum Set Perc. Gtr.(Acous. & Elec.) Kbds.(Pno., Synth.) 4Vln. 2Vla. 2Vcl. Cb.(dbl.Elec.Bass) [string sections may be expanded] [Perc: vibraphone, slapstick, chimes, 3 timpani, ta
THE LIFE AND LOVE OF JOE COOGAN
Imagine an opera with the poignancy of Puccini yet with action driven forward by the timing and storytelling formulas of a 1960’s sitcom. That’s essentially what “The Life and Love of Joe Coogan” …is all about. … Who could have imagined a more wonderful, bizarre melding of the silly with the sublime?
–Steve Siegel, Allentown Morning Call
Composer Paul Salerni and librettist Kate Light adroitly wed…soaring grandeur to a venerable Everyman institution.
–Shawn Macomber, The Weekly Standard
TONY CARUSO’S FINAL BROADCAST
…when a new opera actually realizes this goal successfully [that of incorporating elements of bel canto and verismo styles but remaining relevant to twenty-first century audiences], there is cause for celebration. Such is the case with “Tony Caruso’s Final Broadcast.” …the overall quality of the opera is strong…
–Arlo McKinnon, Opera News
…I found a lot to admire in this delicate score, which is intricately crafted… Salerni bridges gaps between jazz, opera, and musical theatre. … Even at first listen, I could tell that this would make for a fun night at the theatre. Gioia’s libretto is unusually open to staging possibilities, floating through temporal spaces and dreams. …a natural choice for conservatories and small opera companies.
Salerni’s score is a skillful musical stew … the composer has created a series of affecting and stinging episodes…
–Donald Rosenberg, Gramophone
Enjoyment comes from the neat working out of ideas, both dramatic and musical, the unfolding of the action, the deft way that universal issues are made personal, and the panache with which all this is achieved by Salerni…
–Phillip Scott, Fanfare
TONY CARUSO’S FINAL BROADCAST
Naxos (8.669031); October 1, 2010
Performer(s): Vicki Doney, Jacquelyn Familant, Eric Fennell, Phoebe Fennell, Henry Fogel, Val Hawk, Disella Larusdottir, Rory Lipkis, Jan Opalach, Keith Phares, Nancy Reed, Patricia Risley, Alison Tupay; Monocacy C…
Work(s): Tony Caruso’s Final Broadcast
2008: National Opera Association’s Chamber Opera competition winner for Tony Caruso
Stabler Award, Lehigh University’s most valued acknowledgement of excellence in teaching
NEH Distinguished Chair in the Humanities and Professor of Music at Lehigh University
The Life and Love of Joe Coogan
An Opera in One ActTony Caruso’s Final Broadcast
An Opera in Ten Short Scenes