Ezra Laderman was born in Brooklyn, NY on June 29, 1924. His parents, Isidor and Leah, both emigated to the U.S. from Poland. Though poor, the family had a piano. Ezra writes, “At four, I was improvising at the piano; at seven, I began to compose music, writing it down. I hardly knew it then, but I had at a very early age made a giant step to becoming a composer.” He attended New York City’s High School of Music and Art.
Laderman studied composition with Stefan Wolpe, and with Otto Luening and Douglas Moore at Columbia University. He has taught at Sarah Lawrence College and at the State University of New York at Binghamton, where he also held the position of composer-in-residence. He has also held the position of composer-in-residence at Yale University. He has received three Guggenheim Fellowships and the Rome Prize, and had residencies at the Bennington Composers Conference and at the American Academy in Rome.
On April 25, 1943, Laderman was inducted into the U.S. Army and served as a radio operator with the 69th Infantry Division during World War II. Laderman writes “we were in Caversham, England poised to enter the war. It was here that I learned that my brother Jack had been shot down and killed in Germany. The Battle of the Bulge, crossing the Rhine at Remagen, liberating Leipzig, meeting the Russians at Torgau on the bank of the Elbe were the points in this constellation that was filled with tension and waiting, victory and grief. We became aware of the horror, and what we now call the ‘holocaust,’ while freeing Leipzig.” During the weeks after the war was over, Laderman composed his Leipzig Symphony. This work brought him recognition within the army, and subsequently he was assigned as orchestrator of the GI Symphony Orchestra. Laderman was discharged from the army on April 22, 1946.
Mr. Laderman’s compositions range from solo instrumental and vocal works to large-scale choral and orchestral music. His ten string quartets and his concertos for piano, violin, viola, cello, flute, string quartet, and double winds are notable contributions to the repertory. Mr. Laderman incorporates a lyrical style into a contemporary context, using tonal material in combination with atonal or aleatory elements, and seeking out unusual formal structures for his compositions. Commissions have come from the Chicago Symphony, Philadelphia Orchestra, New York Philharmonic, Los Angeles Philharmonic, Minnesota Orchestra, National Symphony, Louisville Orchestra, Pittsburgh Symphony, Dallas Symphony, Denver Symphony, Houston Symphony, New Jersey Symphony, Detroit Symphony, New Haven Symphony, CBS-TV (the oratorio Galileo), the Library of Congress and other orchestras, in addition to commissions from such distinguished artists as David Shifrin, Yo-Yo Ma, Emmanuel Ax, Aldo Parisot, Jean-Pierre Rampal, Judith Raskin, Elmar Oliveira, Julius Baker and Robert Bloom, Nathaniel Rosen, Toby Appel, Leonard Arner, Eugene List, Erice Morini, Samuel Baron, Lenox Quartet, Composers Quartet, Tokyo, Audubon, Colorado and Alrads Quartet. Mr. Laderman’s opera, Marilyn, based on the life of Marilyn Monroe, made its premiere at the New York City Opera in 1993 and the Symphony No. 8 received its New York premiere by the New Haven Symphony in Carnegie Hall in 1994. David Shifrin and the Chamber Music Society of Lincoln Center premiered Mr. Laderman’s Clarinet Quintet at Alice Tully Hall in 1994. Recordings of his music include Concerto for Double Orchestra with Hugh Wolff and the New Jersey Symphony (New World), Citadel, Sanctuary, and the Violin Concerto with the Louisville Orchestra and Lawrence Leighton Smith, conductor (Louisville), and Quartet No. 7 Colorado (Albany).
Mr. Laderman was Dean at The Yale School of Music from 1989 to 1995 and taught music composition there up through June of 2014. He died on February 28th, 2015 at the age of 90.
Cover Title (Subtitle) Duration Instrumentation Drag Here to Add To List Solo 25 Preludes for Organ 413-41143 Momenti 110-40714 Piano Unaccompanied Piano Sonata #1 410-41311 Portraits
For Violin Solo
114-40795 Chamber Ensemble Double Helix 114-40790 Duet
For Flute and Dancer
114-40791 7:00 Duo
For Violin and Cello
114-40792 String Duet Duo 114-40793 Nonette 12731 1 0 1 1 – 1 1 1 0; Pno. Vln. Vcl. Nonette 416-41140 Octet for Winds 114-40794 12:00 Wind Ensemble Quartet 114-40598 String Quartet Single Voice for Oboe and String Quartet or String Orchestra 114-40796 Sonata 114-40797 Sonata
For Flute and Piano
For Violin and Piano
114-40799 Theme, Variations & Finale
For Four Winds and Four Strings
114-40803 15:00 Trio 114-40804 Piano Trio Vocal / Choral Brotherly Love
for Soprano, Tenor and Baritone Solo, Mixed Chorus and Chamber Orchestra. Based on a poem by Daniel Hoffman
12475 full eve. From the Psalms
for Soprano and Ensemble
12730 Solo Sop.; Vln. Vcl. Fl. Cl. Pno. From The Psalms 111-40145 Orchestra And David Wept 12726 1 1 1 1 – 1 1 0 0; Timp. 2Perc. Pno. Hp. Str. Satire
Concerto for Orchestra
12732 3(Picc.) 3(E.H.) 3(B.Cl.) 3(Cbsn.) – 4 3 3 1; Timp. 2Perc. Cel. Hp. Str. Concerto for Orchestra 416-41139 Stanzas 416-41141 Stanzas 12733 21:00 2(Picc.) 1 2(B.Cl.) 1 – 1 1 1 1; Timp. Perc. Org. Str. Orchestra with Soloist(s) Celestial Bodies
Concerto for Flute and String Quartet or String Orchestra
12727 20:00 Celestial Bodies
Concerto for Flute and Strings
416-41138 Celestial Bodies
Concerto for Flute and Strings – Movement I
114-40786 4:00 Celestial Bodies
Concerto for Flute and Strings – Movement Ii
114-40787 7:00 Celestial Bodies
Concerto for Flute and Strings – Movement Iii
114-40788 8:00 Concerto for Violin and Orchestra
Violin and Piano
114-40789 27:00 Concerto for Violin and Orchestra 12729 27:00 Solo Vln.; 2 2 2 2 – 0 0 0 0; 2 Perc. Str. (Vla. Vcl. Cb.) Concerto for Piano and Orchestra 12728 17:00 Solo Pno.; 2 2 2 2 – 2 2 2 0; Perc. Str. Opera Goodbye to the Clown
Opera in 1 act.
16713 45:00 1 0 1 0 – 1 0 0 0; Perc. Pno. Str.
3 Guggenheim Fellowships
Residency at the Bennington Composers Conference
Residency at American Academy in Rome