Commedia Dell'Arte

Given the opportunity to create a concertante work for violinist Nadja Salerno-Sonnenberg and the spirited New Century Chamber Orchestra, violinist-turned-composer Ellen Taaffe Zwilich looked to the commedia dell’arte tradition for a special theatrical program. With movements depicting the Harlequin, Columbine, and Captain characters from Italian Renaissance romantic comedies, Zwilich has created a playful, charming, and dramatic work, also adding percussion surprises for extra color in the string orchestra. For advanced players. Parts are available on rental.

Given the opportunity to create a concertante work for violinist Nadja Salerno-Sonnenberg and the spirited New Century Chamber Orchestra, violinist-turned-composer Ellen Taaffe Zwilich looked to the commedia dell’arte tradition for a special theatrical program. With movements depicting the Harlequin, Columbine, and Captain characters from Italian Renaissance romantic comedies, Zwilich has created a playful, charming, and dramatic work, also adding percussion surprises for extra color in the string orchestra. For advanced players. Parts are available on rental.

Commedia dell'Arte for solo violin and string orchestra is inspired by the Italian tradition that began in the 16th Century but, for many of us, still retains its charm. Essentially a bravura violin concerto, the first three movements reflect the title characters: I. Arlecchino (acrobatic, funne, childlike and amorous), II. Columbina (attractive, clever and a bit complicated), and III. Captiano (a caricature of a professional soldier: bold, swaggering and cowardly). The fourth movement brings them together for a Cadenza and Finale. I have long been an admirer of Nadja Salerno-Sonnenberg's musically insightful and dramatically fiery performances so it was a great pleasure to craft this work for her. I also took advantage of the spirit of ten New Century Chamber Orchestra by calling for some of the string players to play percussion instruments traditionally associated with the characters (for example, a slapstick for Arlecchino, a tambourine for Columbina, a toy drum for Capitano).

Commedia dell'Arte for solo violin and string orchestra is inspired by the Italian tradition that began in the 16th Century but, for many of us, still retains its charm. Essentially a bravura violin concerto, the first three movements reflect the title characters: I. Arlecchino (acrobatic, funne, childlike and amorous), II. Columbina (attractive, clever and a bit complicated), and III. Captiano (a caricature of a professional soldier: bold, swaggering and cowardly). The fourth movement brings them together for a Cadenza and Finale. I have long been an admirer of Nadja Salerno-Sonnenberg's musically insightful and dramatically fiery performances so it was a great pleasure to craft this work for her. I also took advantage of the spirit of ten New Century Chamber Orchestra by calling for some of the string players to play percussion instruments traditionally associated with the characters (for example, a slapstick for Arlecchino, a tambourine for Columbina, a toy drum for Capitano).

Commedia dell'Arte for solo violin and string orchestra is inspired by the Italian tradition that began in the 16th Century but, for many of us, still retains its charm. Essentially a bravura violin concerto, the first three movements reflect the title characters: I. Arlecchino (acrobatic, funne, childlike and amorous), II. Columbina (attractive, clever and a bit complicated), and III. Captiano (a caricature of a professional soldier: bold, swaggering and cowardly). The fourth movement brings them together for a Cadenza and Finale. I have long been an admirer of Nadja Salerno-Sonnenberg's musically insightful and dramatically fiery performances so it was a great pleasure to craft this work for her. I also took advantage of the spirit of ten New Century Chamber Orchestra by calling for some of the string players to play percussion instruments traditionally associated with the characters (for example, a slapstick for Arlecchino, a tambourine for Columbina, a toy drum for Capitano).

Given the opportunity to create a concertante work for violinist Nadja Salerno-Sonnenberg and the spirited New Century Chamber Orchestra, violinist-turned-composer Ellen Taaffe Zwilich looked to the commedia dell’arte tradition for a special theatrical program. With movements depicting the Harlequin, Columbine, and Captain characters from Italian Renaissance romantic comedies, Zwilich has created a playful, charming, and dramatic work, also adding percussion surprises for extra color in the string orchestra. For advanced players. Parts are available on rental.

Given the opportunity to create a concertante work for violinist Nadja Salerno-Sonnenberg and the spirited New Century Chamber Orchestra, violinist-turned-composer Ellen Taaffe Zwilich looked to the commedia dell’arte tradition for a special theatrical program. With movements depicting the Harlequin, Columbine, and Captain characters from Italian Renaissance romantic comedies, Zwilich has created a playful, charming, and dramatic work, also adding percussion surprises for extra color in the string orchestra. For advanced players. Parts are available on rental.