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| comic operas |
Bach, P.D.Q.
The Abduction of Figaro [Theodore Presser]
Opera in three acts
Libretto by Peter Schickele
[more info]
Mozartian (…or almost-Mozartian) characters intermingle in a rollicking plot as Figaro and his wife, Susanna Susannadanna, become inextricably involved with others such as Pecadillo, Donald Giovanni, Schlepporello, Papa Geno, not forgetting an enchanting Corpse de Ballet.
Dur: 150'
Cast: 2 Sopranos, 2 Mezzo-Sopranos, Countertenor, Tenor, 4 Baritones, Bass-Baritone,
2 Speaking (1 = Baritone singing range, but not a trained singer);
Mixed Chorus: Servants to the Pasha and Harem Women (Act II);
Woodcutters, Huntsmen and Huntswomen (Act III);
orpse de Ballet: The Pasha's Dancers; Wood Sprites; Opera Company Manager (speaking); Narrator (voice only)
Instr: 2 2 2 2 - 2 2 3 0; Timp. 2Perc. Ukelele/Pedal Steel Guitar/El.Guitar. Pno. or Hpscd. Str.
[less info] |
Hansel and Gretel and Ted and Alice [Theodore Presser]
Opera in One Unnatural Act
Libretto by Peter Schickele
[more info]
Why Bob and Carol do not appear in this opera is only one of many inexplicable conundra; this is one of P.D.Q. Bach’s most incomprehensible operas, and the character of the Monk is one of the most incomprehensible characters in it, and the aria sung by the Monk is incomprehensible in several different languages.
Dur: 20'
Cast: Bargain Counter Tenor; 2 Female Singers, 6 Male Singers
Instr: Calliope/Beri Beritone, Hpscd. Pno. Water glasses
[less info] |
A Little Nightmare Music [Theodore Presser]
Opera in One Irrevocable Act
Libretto by Peter Schickele
[more info]
Based on an actual dream that P.D.Q. Bach had on the night of December 4, 1791, the night that Wolfgang Amadeus Mozart died and Antonio Salieri didn’t.
Dur: 20'
Cast: Tenor, Baritone, 2 non-singing roles (1 preferably a violinist)
Instr: Strings (the music of Eine Kleine Nachtmusik; conducted by first violinist from part; no orchestral score)
Specially marked string parts on rental.
Sale: Vocal Score 411-41085
[less info] |
Oedipus Tex [Theodore Presser]
Dramatic Oratorio or Opera in One Cathartic Act
Libretto by Peter Schickele
[more info]
Once again, we venture into the unchartered territory of a “heretofore deservedly unknown oratorio by the minuscule master of Wein-am-Rhein,” P.D.Q. Bach [according to Telarc]. The Oedipus complex is alive and well, and dabbling in Country & Western music.
Dur: 30'
Cast: SATB Soloists, SATB Chorus
Instr: 1 1 1 1 - 1 2 1 0; Timp. Perc. Kbd. Harmonica (or Harmonium) Str.
Sale: Vocal Score 412-41072
[less info] |
The Stoned Guest [Theodore Presser]
Half-Act Opera
Libretto by Peter Schickele
[more info]
With characters such as Don Octave, the Commendatoreador and Carmen Ghia, the names seem strangely familiar, yet confused ... All does fall into place, however, but we would hate to spoil the surprise by giving away the plot!
Dur: 35'
Cast: Mezzanine-Soprano, Off-Coloratura Soprano, Bargain Counter Tenor
Instr: 1 1 0 1 - 1 1 1 0; Hpscd. Str.
Sale: Vocal Score 411-41055
[less info] |
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Barab, Seymour
American Punchlines [Theodore Presser]
Opera in one act
Libretto by the composer
[more info]
A comedy of one-liners. Ba-da-boom!
Dur: 60’
Cast: Soprano, Mezzo-Soprano, Tenor, Baritone
Instr: Piano
[less info] |
Jewish Humor from Oy to Vey [Theodore Presser]
Opera in one act
Libretto by the composer
[more info]
The Borscht Belt staged: a dramatization of Jewish jokes.
Dur: 60’
Cast: Soprano, Mezzo-Soprano, Tenor, Baritone
Instr: Piano
[less info] |
Say Cheese [Theodore Presser]
Comic opera in one act
Libretto by the composer
[more info]
Jimmy, a disillusioned photographer, prepares to take his life, but is interrupted by a distraught customer who threatens suicide unless he has his picture taken. Enter a third man also on the verge of suicide because of unrequited love. Jimmy’s girlfriend now has three unhinged men on her hands, and uses her wits to save the day.
Dur: 40’
Cast: Soprano, Tenor, Baritone, Bass
Instr: Piano
[less info] |
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Barthelson, Joyce
Chanticleer [Carl Fischer]
A Contemporary Comic Opera
Libretto by Joyce Barthelson, after The Nun’s Priest’s Tale by Geoffrey Chaucer
[more info]
How the rooster and the turkey outfoxed the fox.
Dur: 45'
Cast: 3 Sopranos, 2 Altos, Tenor, Baritone, Bass; Speaking part; Chorus
Instr: 2 1 2 1 – 2 2 2 0; Perc. Str.
or
Pno.-4Hands, Perc.
[less info] |
Feathertop [Carl Fischer]
A Comic Opera in Two Acts
Libretto by Joyce Barthelson, after Feathertop by Nathaniel Hawthorne
[more info]
Mother Rigby, a mischievous New England witch, has brought to pompous life a scarecrow, who, with a feather in his hat, passes for the Lord Feathertop. He courts pretty Polly Godkin without her suspicion until the two lovers face a drawing room mirror, which has the supernatural ability of reflecting the truth rather than superficial appearances.
Dur: 50’
Cast: Soprano, Mezz-soprano, Tenor, Barition, Bass, Small boy; Chorus
Instr: 3 2 2 2 – 2 2 2 0; Timp. Perc. Hap. Str.
[less info] |
The King’s Breakfast [Carl Fischer]
A Diminutive Opera Buffo with Prologue and One Scene
Libretto by Joyce Barthelson, after Catherine Parr by Maurice Baring
[more info]
Disagreements between King Henry VIII and his sixth wife, Catherine Parr: the extent to which eggs should be boiled, the color of Alexander the Great’s horse, and the inability to understand Latin. The King and Catherine plan for the latter’s execution, but the King changes his mind when the Lord Chamberlain confirms that Alexander’s horse is indeed the color that the King had argued.
Dur: 30'
Cast: Soprano, Baritone, Boy (speaking part)
Instr: 1 1 1 1 – 1 1 0 0; Timp. Perc. Hp.(or Pno.) Str.
[less info] |
|
Bolcom, William
Lucrezia [E.B. Marks Music]
Comic Opera
Libretto by Mark Campbell, based on “La Mandragola” by Machiavelli
[more info]
Finally, an opera heroine who is not neurotic about sex! Machiavelli’s tale of fraud for personal gain is re-told by Mark Campbell from the woman’s point of view, and Lucrezia becomes a heroine who is very much in control of her destiny. Deceptions may abound, but it is all to everyone’s satisfaction in the end.
Dur: 45’
Cast: Soprano, Mezzo-Soprano, Tenor, Baritone, Bass
Instr: 2 Pianos
[less info] |
A Wedding [E.B. Marks Music]
Opera in two acts
Libretto by Arnold Weinstein and Robert Altman, based on the Robert Altman/ John Considine 20th-Century Fox film "A Wedding"
[more info]
An operatic comedy of manners. Politics, social façades and affairs provide the fuel for a hilarious and fast-moving farce, as the bride and groom attempt to survive their wedding, in spite of the antics of their relatives.
Dur: full evening
Cast: 5 Sopranos, Soprano or Mezzo, 2 Mezzo-Sopranos, 3 Tenors, 4 Baritones, Bass
Instr: 3 3 3 3 - 4 3 3 1; Timp. 3Perc. Pno. Hp. Str.
Onstage Band: Ten.Sax. Elec.Kbd. Elec.Gtr. Elec.Bass Trap Set (can be also in orchestra pit or offstage)
Reduced version:
2(d.Picc.) 2(d.E.H.) 2(1d.E(, 2d.B.Cl.) 2 – 2(1d.Picc. & Ct.) 2 2(B.Tbn.) 0; 2Perc. Kbd, Str.
Onstage Band: Ten.Sax. Elec.Kbd. Elec.Gtr. Elec.Bass Trap Set (can be also in orchestra pit or offstage)
[less info] |
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Eakin, Charles
The Box [Theodore Presser]
Comic Opera in one act
Libretto by the composer
[more info]
Dur: 30'
Cast: 2 Sopranos, Contralto, Tenor, Bass
Instr: 1 0 1 1 - 0 1 1 0; Perc. Pno. Vln. Cb.
[less info] |
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Foss, Lukas
The Jumping Frog of Calaveras County [Carl Fischer]
A Short Opera in One Act
Libretto by Jean Karsavina, after The Jumping Frog of Calaveras County by Mark Twain
[more info]
The frog, Dan’l Webster, is defeated in a jumping contest because the gambling Strager has filled the amphibian with buckshot. When the deceit is discovered, the Stranger is cast out, and the town again hails Dan’l’s prowess.
Dur: 45'
Cast: Mezzo-soprano, 2 Tenors, 2 Baritones, 2 Basses; Chorus
Instr: 1 1 2 1 – 1 2 1 1; Perc. Pno. Str.
[less info] |
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Goldstein, Lee
The Fan [Theodore Presser]
Comic opera in two acts
Libretto by Charles Kondek, based on Carlo Goldoni's "Il Ventaglio"
[more info]
When Evaristo tries to present a new fan to Giannina (whom he admires), intrigue, misunderstanding and all the elements of farce, whirl around the object.
Dur: 120'
Cast: 2 Sopranos, 2 Mezzo-Sopranos, 3 Tenors, 2 Baritones, 2 Basses
Instr: 1(Picc.) 1(E.H.) 1 1 - 1 0 0 0; Perc. Pno. Str.
[less info] |
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Hamilton, Iain
London's Fair or “The Cat in the Middle” [Theodore Presser]
A lyric comedy in two acts
Libretto by the composer from a previous text by Edmund Tracey
[more info]
The story of Dick Whittington. Country boy Dick arrives in London with his cat, makes his fortune thanks to the cat, woos Alice Fitzwarren, daughter of the Lord Mayor of London, and eventually rises to become Lord Mayor himself.
Dur: 120'
Cast: 2 Sopranos, 2 Mezzo-Sopranos, Contralto, 4 Tenors, 3 Baritones, 2 Basses, 1 Mimed role; SATB chorus
Instr: 2 2 2 2 - 4 3 3 1; Timp. 2Perc. Hp. Str.
[less info] |
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Harnick, Sheldon
Frustration [Theodore Presser]
A mini-opera in one act
Libretto by the composer
[more info]
A comedy about Mélisande and her supposed Pelléas, who, being French but singing in English, express themselves in a delightful Franglais.
Dur: 7'
Cast: Soprano, Alto
Instr: Cl. Pno. Vln.
Sale: Performance materials 441-41008
[less info] |
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Haydn, Franz Joseph
La Canterina (The Songstress) [Theodore Presser]
Opera Buffa in two acts
Edited by Karl Geiringer; English translation by Carl Zytowski
[more info]
Gasparina is wooed by two men, but even when it is apparent that jewels and riches are even more attractive to her, both men are more than willing to indulge her in the hopes of winning her affections. Human folly revealed!
Dur: Partial evening
Cast: 2 Sopranos, Soprano or Tenor, Tenor
Instr: 2Fl. 2Ob. 2E.H. 2Hn. Str.
Sale: Vocal Score 411-41079
[less info] |
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Kalmanoff, Martin
Opera, Opera [Carl Fischer]
One Act Opera Goofo
Libretto by William Saroyan
[more info]
The young man, a candy butcher, serves as the guide to this poor man’s opera. He introduces a young woman and her lover, a boy, then a gorilla, who, with a pistol, shoots the boy. The gorilla, playing the young woman’s brother, is instructed to feel remorse. The boy’s sister prepares to knife the murderer, but as the gorilla loves the boy’s sister, it is the gorilla’s sister who Is murdered. The two remaining, the gorilla and the boy’s sister, embrace as concessionaires hustle their wares, ending the farce.
Dur: 30'
Cast: Soprano, 2 Mezzo-sopranos (optionally sung by one performer), Tenor, Baritone, Bass,
2 or more Medium voices (sung or shouted)
Instr: Pno.
[less info] |
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Kirk, Theron
The Lib: 393 [Carl Fischer]
A Comic Opera in One Act
Libretto by Theron Kirk, after Ecclesiazuzae “The Congresswomen” by Aristophanes
[more info]
In a pleas for liberation from second-class citizenship, the women, at the instigation of Praxagora, disguise themselves as men, vote themselves into Congress, then proceed to pass laws whereby all property, including husbands, is relegated to the state for general distribution. When her own husband becomes the center of attention for several other women (who, with the blessing of “the new law,” have claimed him as their own), Praxagora changes her mind, and in a sorrowful lament, reneges on all her previously passed proclamations, returning the government to the hands of the men.
Dur: 52'
Cast: Soprano, Baritone, Bass-baritone; Chorus, 6 soloists; dance troupe
Instr: 3 1 2 0 – 1 2 1 0; Perc. Cel. Str.
[less info] |
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Lehar, Franz
The Merry Widow [Theodore Presser]
Opera in three acts
English lyrics and adaptation of libretto by Sheldon Harnick
[more info]
Dur: full evening
Cast:
Instr: 3 2 2 2 - 4 2 3 0; Timp. 2Perc. Hp. Str.
On stage: 2Vln. Vla. Vcl. Cb. 2Tambourizza, B.Tambourizza
[less info] |
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Moore, Winifred
The Bamboo Box [Carl Fischer]
A Musical Comedy in Two Acts and three Scenes
Libretto by Sarah Grames Clark
[more info]
The sheltered beautiful daughter of a wealthy Chinese merchant is ecstatic to hear the promise of adventure told to her by her nurse. A rich nobleman, seeking a wife, masquerades as a blind soothsayer, enters the women’s quarters, kidnaps the daughter, and whisks her away to a bandits’ hideout. When all is explained to the frantic father, he bestows his blessings on his daughter ad her nobleman kidnapper.
Dur: full evening
Cast: Soprano, Mezzo-soprano, Alto, Tenor, 2 Baritones, Bass; 4 Speaking parts, Comedy character; Chorus
Instr: 1 0 1 0 2A.Sax. – 0 2 1 0; Perc. Str.
[less info] |
|
Morgan, Geoffrey F., & Johnson, Frederick G.
Crocodile Island [Carl Fischer]
A Musical Comedy in Two Acts
Libretto by Geoffrey F. Morgan and Frederick G. Johnson
[more info]
Coco Orinoco, an interpreter, reveals the Oracle’s command for the King’s and Chamberlain’s sacrifice to the sacred crocodiles. The salvation of these two doomed captives lies with visiting Americans whose frightened porter, Hopalong Simpson, hides in the Oracle’s shrine where he makes a few pronouncements of his own.
Dur: full evening
Cast: 2 Sopranos, Mezzo-soprano, Tenor, Second Tenor, 2 Baritones, 2 Men’s medium voices; 3 acting parts; Chorus
Instr: 1 0 1 0 A.Sax. – 0 2 1 0; Perc. Str.
or
1 1 3 1 A.Sax. CMelodySax. – 2 2 1 0; Perc. Str.
[less info] |
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Moss, Lawrence
The Brute [Theodore Presser]
Comedy in one act
Libretto by Eric Bentley, after the play by Chekhov
[more info]
Comedy and drama ensue when a creditor comes to collect a debt left by a woman’s dead husband, with unexpected results.
Dur: 20'
Cast: Soprano, Tenor, Bass
Instr: Fl. Cl. Bsn. Vib. Perc. Pno. Str.
[less info] |
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Mozart, Wolfgang Amadeus
The Impresario [Theodore Presser]
A comedy with music in one act
Based on the play by Gottlieb Stephanie the Younger ; English text by Dory Previn
[more info]
The libretto is a 20th century re-make by Dory Previn of the original story. Two sopranos engage in a diva duel of words about their art and who is the prima donna, then a tenor joins the fray, while the world-weary impresario offers his commentary, but dreams of escaping it all.
Dur: 40'
Cast: 2 Sopranos, Tenor, Baritone, Speaking Role
Instr: 2 2 2 2 - 2 2 0 0; Timp. Str.
Sale: Vocal Score 411-41033
[less info] |
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Paisiello, Giovanni
King Theodore in Venice [Theodore Presser]
Opera in two acts
Libretto by G. Casti (Italian). English version by Arthur Schoep and Boris Goldovsky
[more info]
A comedy loosely base on a scene from Voltaire’s Candide, which was recognized by contemporaries as a thinly-disguised satire on the exploits of King Gustavus III of Sweden during a visit to Italy.
Dur:
Cast: 2 Sopranos, 2 Tenors, 2 Baritones, 2 Basses; Chorus
Instr: 2 2 2 2 - 2 2 0 0; Str.
[less info] |
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Pasatieri, Thomas
La Divina (1965, rev. 2005) [Theodore Presser]
Comic Opera in one act
Libretto by the composer
[more info]
Now with revised voices and instrumentation. A stellar, but aging, coloratura diva faces her farewell performance with fear for a future without fame and glamour. The relief felt by her maid and manager that the prima donna’s temperament and “star complex” will now be at an end is short lived when the diva announces she will sing yet another “farewell” concert next week.
Dur: 30'
Cast: Soprano, Mezzo-soprano, Baritone, Tenor or Soprano
Instr: 1 1 1 1 – 1 1 0 0; Pno. 2Vln. Vla. Vcl. Cb.
Sale: Vocal Score 411-41025
[less info] |
The Hotel Casablanca [Theodore Presser]
Comic Opera in two acts
Libretto by the composer, inspired by A Flea in Her Ear by Georges Feydeau
[more info]
Set to an original libretto by Mr. Pasatieri, the comedy, set in 1948, tells the story of a wealthy Texas couple who want to "toughen up" their 25-year-old nephew from New York. The action takes place at the Double-T Ranch and a seedy hotel, where assorted eccentric guests add to the mayhem of the stay.
Dur: 100'
Cast: 2 Sopranos, 2 Mezzo-sopranos, Tenor, 2 Baritones, 2 Bass-Baritones
Instr: 1 1 1 1 – 1 1 1 0; Perc. Pno. Hp. Str.7tet
Sale: Vocal Score 411-41114
[less info] |
Signor Deluso [Theodore Presser]
Opera Buffa in one act
Libretto by the composer, based on Molière's “Sganarelle”
[more info]
A comedy of layer upon layer of misunderstanding … not for nothing does the title character make us think of “delusion”! Just when everything appears to be hopelessly embroiled, the maid enters in the nick of time and clears up the whole mess.
Dur: 30'
Cast: 2 Sopranos, Mezzo-Soprano, Tenor, Baritone, 1 or 2 Bass-Baritones
Instr: 1 1 1 0 - 1 0 0 0; Pno. Vln. Vla. Vcl.
Sale: Vocal Score 411-41092
[less info] |
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Rossini, Gioacchino
The Turk in Italy [Mercury Music Corp.]
Comic Opera in two acts
English translation by Boris Goldovsky and Sarah Caldwell
[more info]
Dur: Full evening
Cast: 2 Sopranos, Tenor, 2 Baritones, Bass; Chorus
Instr: 2 2 2 2 - 2 2 1 0; Timp. Str.
[less info] |
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Salerni, Paul
The Life and Love of Joe Coogan [Merion Music]
One-act opera in seven scenes
Libretto by Kate Light, adapted from the Dick Van Dyke Show TV episode by Carl Reiner
Cast doubling possibilities if presented in a single evening with Tony Caruso’s Final Broadcast
[more info]
A moment of comic insecurity in the usually happy marriage of TV comedy writer Rob Petrie and his wife Laura. When Rob learns that the tall, good-looking man named Joe Coogan that he has just met on a public golf course was once in love with Laura, courting her by writing love sonnets, he becomes uncharacteristically jealous and insecure. When Laura invites Joe to dinner, Rob counters by inviting co-writer Sally Rogers to flirt with Joe. Unbeknownst to Rob, Joe is now a priest! The mix-up leads to a zany dinner party and a surprise ending.
Dur: 60’
Cast: 2 Sopranos, Mezzo-soprano, Tenor, 2 Baritones, Bass-baritone, Speaking role
Instr: A.Sax. Tpt. Tbn. 1Perc.(incl. trap set) Pno. 2Vln. Vla. Vcl. Cb.
[less info] |
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Sandow, Gregory
The Richest Girl in the World Finds Happiness [Theodore Presser]
Opera in one act
After the play by Robert Patrick
[more info]
A comedy (in pop-Broadway style). The big Star comes to propose to the Richest Girl in the World. She now has everything: beauty, health, and the love of a man. She declares that her wealth doesn’t matter, and wants to give all to the poor … but wait: the poor want to give the riches back as a wedding present! The moral: the richest girl is the one who finds true happiness.
Dur: 25'
Cast: 2 Sopranos (or Soprano & Mezzo-Soprano), 2 Tenors
Instr: Piano
[less info] |
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Scarlatti, Alessandro
The Triumph of Honor [Theodore Presser]
Comedy in three acts
Edited by Carl Zytowski, libretto by F.A. Tullio
[more info]
Engaged to one, attracted to another; this tangled, rollicking tale of the professed and secret loves of its eight characters leads everyone to the brink of disaster before true love brings everyone back to their senses, and the four couples are united in forgiveness, love, and honor.
Dur:
Cast: 2 Sopranos, 2 Mezzo-Sopranos, 2 Tenors, 2 Baritones
Instr: Ob. Pno. 2Vln. 1Vla. 1Vcl. 1Cb.
[less info] |
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Shepard, Thomas Z.
Love in Two Countries [Theodore Presser]
Two one-act comic operas to be performed together as "Love in Two Countries" or separately ("That Pig of a Molette"
and "A Question of Faith").
Libretto by Sheldon Harnick
[more info]
An evening of delightfully droll comedy: two one-act operas peppered with unexpected – and hilarious – twists.
Dur: full evening when performed together
[less info] |
A Question of Faith [Theodore Presser]
Opera in one act
Libretto by Sheldon Harnick, after a story by Nikolai Leskov
[more info]
A Russian couple employ the services of a miracle worker to bring about a child for their married daughter. When it is her unmarried sister who becomes pregnant, the situation threatens to careen out of control until true love douses the situation with a blast of reality and wins the day in a very Russian way.
Dur: 60'
Cast: Main roles: Lyric Soprano, Soprano or Light Mezzo-Soprano, Mezzo-Soprano, Lyric Tenor,
2 Comic Baritones, Baritone Bit Parts: 3 Sopranos (can be doubled by main characters)
Instr: 1(Picc.) 1(E.H.) 1(EbCl./BbCl./A) 1(Cbsn.) - 2 0 0 0; Perc. Kbd. Str.
[less info] |
That Pig of a Molette [Theodore Presser]
Opera in one act
Libretto by Sheldon Harnick after a story by Guy de Maupassant
[more info]
Poor Molette: successful businessman and good husband, he is at the “dangerous age,” unaware that he desperately craves romantic adventure. A clumsy misunderstanding leads to his being branded “that pig of a Molette,” even though his cousin, Rivet, is the real cad. Years later, the characters settle scores, in an oh-so-French way.
Dur: 60'
Cast: Lyric Soprano, Tenor or High Baritone, Comic Baritone,
Vocal Quartet doubling various roles: Soprano, Mezzo-Soprano, Tenor, (Bass-)Baritone
Instr: 1(Picc.) 1(E.H.) 1 1 - 2 0 0 0; Perc. Kbd. Str.
[less info] |
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Sullivan, Sir Arthur
The Mikado [Carl Fischer]
An Operetta in Two Acts
Libretto by W.S. Gilbert
[more info]
The Mikado’s son is disguised as Nanki-Poo to avoid a pre=arranged marriage to Katisha. But Nanki-Poo loves Yum-Yum, the betrothed of condemned and then pardoned Ko-Ko. To justify the office of executioner and to be free of his personal trouble, Nanki-Poo volunteers to be executed if he might first be wed to Yum-Yum. The Mikado enters and brings the opera’s happy resolution.
Dur: 150’
Cast: Soprano, 2 Mezzo-sopranos, Alto, 2 Tenors, 2 Baritones, Bass; Chorus
Instr: 1 0 1 0 – 1 2 1 0; Timp. Perc. Str.
(Performance material includes the original Pond Edition stage guide)
[less info] |
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Taylor, Raynor
Buxom Joan [Theodore Presser]
Burletta in one act
Libretto by Thomas Willet, edited and realized by Gregory Sandow
[more info]
Dur: 40'
Cast: 2 Sopranos, 3 Tenors, Bass
Instr: 2Ob. Hpscd. String Quartet
[less info] |
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Walden, Stanley
Dr. Faustus Lights the Lights [Theodore Presser]
Opera Libretto by Gertrude Stein
[more info]
The Faust story weaves in and out of an absurdist plot (the text is by Gertrude Stein, after all). To be enjoyed “in the moment,” an evening of great theatrical entertainment.
Dur: 95'
Cast: Soprano, Dancer/Soprano, 2 pop Mezzo-sopranos, Tenor (rapper), pop High Baritone, 2 Baritones, Bass;
Chorus (made up of anyone not featured at the moment)
Instr: Reeds (1 or more players): Sop.Sax./AltoSax./Ten.Sax./Fl./AltoFl./B(Cl./B.Cl. Pno. Cbs. Perc.
[less info] |
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Wilson, Don
Hollywood Bound [Carl Fischer]
A Musical Comedy in Three Acts
Libretto by Edward Bradley and Don Wilson
[more info]
The president of a large film production company supports the development of a new color film process until the inventor’s sabotaged first presentation fails. The inventor prepares his own demonstration, discovers his enemies, secures his future, and wins the leading lady.
Dur: full evening
Cast: 2 Sopranos, Mezzo-soprano/Contralto, Medium women’s voice, Medium man’s voice, 2 Baritones,
Bass-baritone, Bass, Any type of voice; 10 speaking roles
Instr: 1 0 1 0 A.Sax. – 0 2 1 0; Perc. Str.
or
1 1 2 1 A.Sax. T.Sax. – 2 2 1 0; Perc. Str.
[less info] |
The Lucky Jade [Carl Fischer]
A Musical Comedy in Two Acts
Libretto by Joseph B. Harrison and Don Wilson
[more info]
The loss of the ear from a jade voodoo idol brings apparent bad fortune. When the lucky jade is returned, all prophecies are favorably resolved.
Dur: full evening
Cast: 2 Sopranos, Mezzo-soprano, Contralto, 2 Medium women’s voices, 2 Tenors or Baritones,
Medium man’s voice, Baritone or Bass, 2 Baritiones, Speaking part, 2 Acting parts
Instr: 1 0 1 0 A.Sax. – 0 2 1 0; Perc. Str.
or
1 1 2 1 A.Sax. T.Sax. – 2 2 1 0; Perc. Str.
[less info] |
Tune In! [Carl Fischer]
A Musical Comedy in Two Acts
Libretto by Edward Bradley and Don Wilson
[more info]
Advertising revenues will help keep up payments, thus preventing the radio station from falling to the previous owner. A scheme develops that allows the advertiser’s unmusical wife to sing into a dummy microphone while airing another’s voice. The plan is discovered, and with other plot twists, failure seems imminent until the new owner discovers an inheritance that solves his fiscal problems.
Dur: full evening
Cast: Pseudo coloratura, 3 Sopranos, Mezzo-soprano, Alto, 2 Medium men’s voices, Tenor-baritone, 2 Baritones,
Any man’s voice, 2 Speaking parts; Chorus
Instr: 1 0 1 0 A.Sax. – 0 2 1 0; Perc. Str.
or
1 1 2 1 A. Sax. T.Sax. – 2 2 1 0; Perc. Str.
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