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TONY CARUSO’S FINAL BROADCAST (2004, rev. 2006)
music by Paul Salerni, libretto by Dana Gioia
Dur.: 52'
Voices: Boy Soprano, 5 Soprano, 3 Mezzo-soprano, 1 Tenor, 1 Baritone, 1 Bass-baritone, 1 Speaking role
Instr: Fl. Ob.(dbl. Bari.Sax.)* Cl. B.Cl.** A.Sax. T.Sax.** - 2Tpt. Tbn. B.Tbn.;
Drum Set Perc. Gtr.(Acous. & Elec.) Kbds.(Pno., Synth.)
2Vln.I 2Vln.II 2Vla. Vcl. Cb.(dbl.Elec.Bass) (string sections may be expanded)
Premiere: January 4th, 2008. National Opera Association Convention, Biltmore Hotel, Los Angeles, CA.
A co-production of Los Angeles Opera, OperaWorks, CSU-Northridge, and the Southern California Opera Guild.
Winner of the 2007 National Opera Association Chamber Opera Competition
Recorded on Naxos 8.669031

The opera takes place in a classical music radio station on the last night of its operations: at midnight the station’s new management will convert to an “Easy-Listening” format. The station’s final program, “Opera Lover,” is hosted by Antonio Caruso, a failed tenor who has worked on the show for 27 years. The station intern and radio engineer try to comfort Tony for his impending loss. Meanwhile the new management celebrates its market plan aimed at the drive-time listener. During the final broadcast, Tony remembers his early dreams of artistic fame and success as the “second Caruso.” In his desperate state, Tony is visited by three ghosts or visions—his dead mother, Maria Callas, and finally a mysterious woman.

THE LIFE AND LOVE OF JOE COOGAN (2010)
music by Paul Salerni, libretto by Kate Light
adapted from the Dick Van Dyke Show TV episode “The Life and Love of Joe Coogan” by Carl Reiner
Dur.: 60'
Voices: 2 Soprano, 1 Mezzo-soprano, 1 Tenor, 2 Baritone, 1 Bass-baritone, 1 Speaking role
Instr: A.Sax. Tpt. Tbn. 1Perc.(incl. trap set) Pno. 2Vln. Vla. Vcl. Cb.
Premiere: September 25, 2010. Baker Hall, Lehigh University, Bethlehem, PA
“The Life and Love of Joe Coogan,” an adaptation of the Dick Van Dyke Show episode of the same name, tells the story of television writer Rob Petrie and his wife Laura, in a moment of comic insecurity in their usually happy marriage.

Rob meets a tall, good-looking man named Joe Coogan on a public golf course. When he learns by chance that Joe was once in love with Laura, courting her by writing her love sonnets, he becomes uncharacteristically jealous and insecure. When Laura invites Joe to dinner, Rob counters by inviting his co-writer Sally to flirt with Joe. Unbeknownst to Rob, Joe is now a priest! The mix-up leads to a zany dinner party and a surprise ending.

Paul SalerniPaul Salerni is the NEH Distinguished Chair in the Humanities and Professor of Music at Lehigh University in Bethlehem (PA), where he teaches composition, theory, and directs the Lehigh University Very Modern Ensemble (LUVME). He is also founder and Artistic Director of the Monocacy Chamber Orchestra, a professional ensemble in the Lehigh Valley.

Salerni’s numerous commissioned orchestral and chamber music works have been performed throughout the US, Canada, Europe and China. Recent commissions include Cape Cod Symphony, San Diego Chamber Orchestra, New Haven Symphony, and the Lehigh Valley Chamber Orchestra. His chamber music and songs are also widely performed. Recent highlights included performances by the Da Capo Chamber Players of two song cycles, Speaking of Love and Bad Pets, at New York City’s Merkin Hall.

As the leading expert on the music of his mentor Earl Kim, Salerni has a long history of collaboration as guest pianist and lecturer with the internationally acclaimed string ensemble, Sejong. He has performed Kim’s music with the ensemble in Korea, at the Kennedy Center, the 92nd St. Y, and the Aspen Music Festival.


Dana GioiaDana Gioia is an internationally acclaimed poet and critic. He is the author of three full-length collections of poetry, including Interrogations at Noon (2001), which won the American Book Award, and three collections of criticism, most notably Can Poetry Matter? (1992), which was a finalist for the National Book Critics Award. A best-selling literary anthologist, Gioia has edited or co-edited over two dozen collections of poetry, fiction, and drama. He has also written two opera libretti and has collaborated with composers in genres ranging from classical to jazz and rock.

For six years (2003-2009) he served as Chairman of the National Endowment for the Arts where he gained strong bipartisan support for the previously imperiled agency and helped launch the largest literary programs in federal history, including The Big Read, Poetry Out Loud, and Shakespeare in American Communities. He was twice unanimously confirmed by the U.S. Senate. For two years he directed the arts and culture programs for the Aspen Institute in Washington, D.C. and Colorado. He is currently the Judge Widney Professor of Poetry and Public Culture at the University of Southern California. He divides his time between Los Angeles and Sonoma County, California.


Kate LightKate Light is also the author of four books of poetry, Einstein’s Mozart: Two Geniuses, Gravity’s Dream, Open Slowly, and The Laws of Falling Bodies. She is currently working on a musical based on Ovid’s Metamorphoses and his life. Her pieces for narrator and chamber ensemble have been performed by the Louisville Orchestra, Los Angeles Chamber Orchestra, Colorado Chamber Players, Chamber Music Society of Lincoln Center, and at the American Museum of Natural History, often with Kate as narrator. Her poetry has appeared in The Paris Review, Washington Post Book World, Feminist Studies, New York Sun, and the anthologies Western Wind, Penguin Book of the Sonnet, and Garrison Keillor’s Good Poems for Hard Times, and has been featured four times on Keillor’s The Writer’s Almanac. Her lyrics to the song Here Beside Me are heard in Disney’s Mulan II. She has been a visiting professor at Cornell University and at Musashino Art University in Tokyo. Also a violinist, she is a member of the orchestra of the New York City Opera.
 

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