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| Recent Additions to the Opera Catalog |
| Thomas Pasatieri |
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Before Breakfast Monodrama for Soprano or Mezzo-soprano
More info
Libretto by Frank Corsaro, after the play by Eugene O’Neill
with Chamber Ensemble (13 Players), Small Orchestra, or Piano
A lonely alcoholic addresses her off-stage husband while she prepares breakfast, and in so doing we learn of the dreams she envisioned for her life and the disappointments that ultimately filled it.
Cast: Soprano or Mezzo-Soprano
Dur: 45'
Instr: 1 1 1(B.Cl.) 1 – 1 1 1 0; Pno.(Cel.) Hp. Str.(5tet or section)
or
Pno.
Vocal score published: 411-41111 • $19.95 Add to Cart
Less info |
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Frau Margot Opera in three acts
More info
Libretto by Frank Corsaro, based on his original play Lyric Suite
The great composer Erich Künstler leaves an unfinished opera behind at his death. The world is eager to see
the score, but his widow, Frau Margot, guards the manuscript jealously.
(Inspired by an actual event related to Mr. Corsaro, by Leonard Bernstein. who had approached Berg’s widow
about completing Lulu. Mrs. Berg later informed Bernstein that she had asked her husband on his behalf, but he
said he did not want Bernstein to complete the opera. Bernstein concluded that Mrs. Berg had relied on a
séance to "contact" her former husband).
Cast: Soprano, Mezzo-soprano, 3 Tenor, Baritone, 3 Bass-Baritone
Dur: 120'
Instr: 2 1 2 1 – 2 2 2 0; Perc. Pno. Hp. Str.
Vocal score published: 411-41117 • $40.00 Add to Cart
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The Hotel Casablanca Opera in two acts
More info
Libretto by the composer, inspired by A Flea in Her Ear by Georges Feydeau
Set to an original libretto by Mr. Pasatieri, the comedy takes place in 1948 and tells the story of a wealthy Texas couple who wants to "toughen up" their 25-year-old nephew from New York. The action transpires at the Double-T Ranch and a seedy hotel, where assorted eccentric guests add to the mayhem of the stay. Cast: 2 Soprano, 2 Mezzo-soprano, Tenor, 2 Baritone, 2 Bass-Baritone
Dur: 100'
Instr: 1 1 1 1 – 1 1 1 0; Perc. Pno. Hp. Str.7tet
Vocal score published: 411-41114 • $35.00 Add to Cart
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Lady Macbeth Monodrama for Soprano
More info
Libretto by Thomas Pasatieri, from Macbeth by William Shakespeare
From Lady Macbeth’s speeches, woven into a dramatic monologue.
Cast: Soprano
Dur: 15’
Instr: Piano
Vocal score published: 411-41118 (In prep)
Less info
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La Divina (1966, rev. 2005) Comic Opera in one act
More info
Libretto by the composer
Now with revised voices and instrumentation. A stellar, but aging, coloratura diva faces her farewell performance with fear for a future without fame and glamour. The relief of her maid and manager that the prima donna’s temperament and “star complex” will now be at an end is short lived when the diva announces she will sing yet another “farewell” concert next week. Cast: Soprano, Mezzo-soprano, Baritone, Tenor or Soprano
Dur: 30'
Instr: 1 1 1 1 – 1 1 0 0; Pno. 2Vln. Vla. Vcl. Cb.
Revised vocal score published: 411-41025 • $19.95 Add to Cart
Less info
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The Seagull (1972, rev. 2004) Opera in three acts
The opera has been revised, and there are now versions for large and small orchestra.
More info
Libretto by Kenward Elmslie after Chekhov
Chekov’s dark treatment of unrequited love is brought to the opera stage. Now in large and reduced orchestra
versions, with or without chorus.
Cast: 2 Soprano, 2 Mezzo-Soprano (or 1 Lyric Sop., 1 Mzo.-sop.), 2 Tenor, 2 Baritone,
1 Bass (or Bass-Baritone), Off-Stage Chorus (or SATB soli)
Dur: 120'
Instr: Large Orchestration: 2 2 2 2 - 4 2 2 1; Timp. 2Perc. Hp. Str. (min. 8.7.6.5.2)
Reduced Orchestration: 2 2 2 1 - 2 1 1 0; 1Perc. Hp. Str. (min. 3.3.3.3.1)
Revised vocal score published: 411-41107 • $40.00 Add to Cart
Less info
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| William Bolcom (E. B. Marks) |
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A Wedding Opera in two acts
More info
Libretto by Arnold Weinstein and Robert Altman, based on the Robert Altman/ John Considine
20th-Century Fox film "A Wedding"
An operatic comedy of manners. Politics, social façades and affairs provide the fuel for a hilarious and fast-
moving farce, as the bride and groom attempt to survive their wedding, in spite of the antics of their relatives.
Cast: 5 Soprano, 1 Soprano or Mezzo, 2 Mezzo-Soprano, 3 Tenor, 4 Baritone, 1 Bass
Dur: full evening
Instr: 3 3 3 3 - 4 3 3 1; Timp. Perc. Pno. Hp. Str.
Less info |
| Victoria Bond |
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Mrs. President Opera in two acts
More info
Libretto by Hilary Bell
In 1872, Victoria Woodhull ran for President against Ulysses S. Grant on the Equal Rights Party ticket. Her
platform included women’s suffrage and many other much-needed social reforms, but also included the
inflammatory issue of free love and equality between the sexes, which caused her to be branded “Mrs. Satan.”
Today, nearly 130 years later, most of the issues considered controversial then are still hot topics.
Cast: 3 Soprano, Mezzo-Soprano, 2 Tenor, Baritone; SATB Chorus
Dur: 120’
Instr: 2 2 2 2 – 2 2 1 0; Timp. 2Perc. Hp. Str.
Less info |
| Dwight Gustafson |
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Simeon Opera in three scenes
More info
Libretto by David Burke, after the story in the Bible (Luke 2: 25-35)
God has promised Simeon, an aging candle-maker, that he will not die before he sees the Messiah. With his time growing
short, Simeon wonders how much longer he must wait. But what is this story of angels he hears from Bethlehem
shepherds? What heavenly sign could compel Eastern Magi to send an emissary to Jerusalem? And who is this Child a
poor couple brings to dedicate at the Temple?
Cast: Boy Soprano, Soprano, Mezzo-soprano, 2 Tenor, 2 Baritone, Bass, 2 Spoken roles (male); Chorus
Dur: 61’
Instr: 2(Picc.) 2(E.H.) 2 2 – 4 3 3 1; Timp. Perc. Hp. Synthesizer Str.; 2 or 3 off-stage Trombones
Less info |
| Adolphus Hailstork |
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Joshua’s Boots Opera in one act
More info
Libretto by Susan Kander
A young black boy overcomes prejudice to become a cowboy, and earns himself a pair of new boots.
Cast: 4 Soprano, Pop Mezzo, 2 Tenor, 2 Baritone, Chorus (Young Men, Boys, Girls)
Dur: 60’
Instr: Fl.(Picc.) Cl. Vln. Vcl. Perc. Pno. (Opt. on stage Vln., Pno.)
Less info |
| Thomas Oboe Lee |
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The Inman Diaries Chamber opera in two acts
More info
Libretto by Jesse J. Martin, based on the diaries of Arthur Crew Inman
and the play "Visitations" by Lorenzo DeStefano
Arthur Crew Inman was a Boston recluse who, in order to gain immortality, obsessively documented (in diaries that run to 155 volumes) the countless stories related to him by people whom he would pay in order to hear about their lives in intimate detail. He was especially interested in young women, and was known to have been sexually involved with several of them. He committed suicide in 1963.
Cast: 3 Soprano, 2 Mezzo-soprano, 2 Tenor, 2 Baritone
Dur: 100’
Instr: Cl. Vln. Vla. Vcl. Cb. Hp. Perc.
Less info |
| Lowell Liebermann |
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Miss Lonelyhearts Opera in two acts
More info
Libretto by J.D. McClatchy, based on a story by Nathanael West
Based on Nathanael West’s shocking 1933 masterpiece, Miss Lonelyhearts tells the story of a troubled advice
columnist in Depression-era New York, whose encounters with a morally destitute world drive feverishly toward
a climactic conclusion, with masterful dark comedy along the way.
Cast: Main Characters: 2 Soprano (lyric, coloratura), Mezzo-Soprano, 2 Tenor, Baritone;
Other sung and solo parts from chorus; Pre-recorded radio voice (light tenor)
Dur: full evening
Instr: 2(d.Picc.) 2(d.E.H.) 2(d.B.Cl.) 2(d.Cbsn.) – 2 2 3 0; Timp. 5Perc. Hp. Kbd. Str.
Vocal score published: 411-41110 • $50.00 Add to Cart
Less info |
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The Picture of Dorian Gray Opera in two acts
Originally for large orchestra (1996), and now also available in a reduced orchestration (2007).
More info
Libretto by the composer, adapted from the novel by Oscar Wilde
Oscar Wilde’s well-known story of eternal youth is brought to the stage, with external beauty only thinly
disguising the ugliness that can inhabit men’s souls.
Cast: Principal Roles: Soprano, Tenor, Baritone, Bass; two secondary roles and three minor roles
Dur: 135’
Instr: 3 3 3 3 - 4 3 3 0; Timp. Perc. Hp. Str. On-stage Upright Piano, Off-stage Violin
Reduced version: 2(Picc.) 2 2(B.Cl.) 2 - 2 2 1 0; Timp. Perc. Hp. Kbd, Str.
Vocal score published: 411-41101 • $60.00 Add to Cart
Less info
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| Stanley Walden |
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Dr. Faustus Lights the Lights
More info
Opera Libretto by Gertrude Stein
The Faust story weaves in and out of an absurdist plot (the text is by Gertrude Stein, after all). To be enjoyed “in the moment,” an evening of great theatrical entertainment.
Cast: Sop., Dancer/Sop., 2 pop Mezzo-Sop., Tenor (rapper), pop High Bari., 2 Bari., Bass
Chorus (made up of anyone not featured at the moment)
Dur: 95'
Instr: Reeds (1 or more players): Sop.Sax./AltoSax./Ten.Sax./Fl./AltoFl./B(Cl./B.Cl.)
Pno. Cbs. Perc.
Less info |
| Dan Welcher |
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Holy Night Opera in three scenes and an epilogue
Companion piece to the earlier Della’s Gift (based on “The Gift of the Magi” by O. Henry) the two operas can be performed together for a complete evening under the umbrella title “A Star Over Fifth Avenue.”
More info
Libretto by Paul Woodruff
New York, 2005. A young couple, living in the now gentrified Manhattan apartment formerly occupied by Della
and Jim in “Della’s Gift”, experience obstacles of misunderstanding and racial prejudice. These universal
issues go beyond the discrimination they already face as a gay couple.
Cast: Lyric Soprano, 1 or 2 “rich female voice” (doubling possible), Lyric Tenor,
Lyric Baritone, Bass-Baritone
Dur: 70’
Instr: 1 1 2 1 - 2 2 1 0; Perc. Hp. Pno./Cel. Str.
Less info |
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| Full performance materials available from the Theodore Presser Rental Library |
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Browse our catalog of English Language Operas
Newly updated for 2009 — PDF catalog (49 pages, 1.2MB) |
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